Chaire are Japanese small lidded ceramic containers for carrying tea (cha means „tea“ and ire is a word for „put sth. in“). Originally they came from 12th century China where this kind of container was used for holding medicine or valuable oils. But at least at the end of Muromachi period (1336–1573) they were used as exquisite tea caddies to contain the green tea powder during the tea ceremony. It is said that for some members of the ruling warrior class they were even more valuable than the own sword. Due to high demand and exclusive prices for the Chinese items and a change of taste, the first Japanese production was just a matter of time. Potters from the six old kilns, the oldest Japanese pottery production sites, developed soon an own language of forms according to their traditional technics. Since then a distinction was made between karamono – objects in a Chinese manner – and wamono – the Chaire in a Japanese style.
All pieces selected for the exhibition are from the last category of wamono made by masters from Bizen and Shigaraki in Japan. One is a rare work by the higly talented and far too early passed Bizen artist Masamune Moriyasu (Satoru) (1954-2006). Like Ueda Naokata IV. (1898-1975) from Shigaraki, Masamune was orientating on the old, rather simple pieces made in the Momoyama period (1573-1603) – the golden age of tea ceramics. The Ueda family is along with the Takahashi family, the oldest potter family in Shigaraki and largely responsible for preserving traditions, especially after the second world war. Ueda Naokata IV. was designated as Shigaraki’s first „Intangible Cultural Property“. Takahashi Rakusai IV. (*1925) – presented here with two exceptional pieces – is probably the most famous Shigaraki potter. He succeeded his father the third Takahashi who was designated as „Intangible Cultural Property“ by government. But also Bizen artist Kimura Tōhō (*1928) arose from a familiy traditon with a long history. The Kimuras were designated by Toyotomi Hideyoshi (1537-1598) himself as o-sakunin (honorable craftsmen).
For more informations about the objects visit: http://www.galeriekommoss.com